{"id":43982,"date":"2022-06-04T01:00:00","date_gmt":"2022-06-04T00:00:00","guid":{"rendered":"https:\/\/ket.brussels\/?p=43982"},"modified":"2022-06-04T09:11:06","modified_gmt":"2022-06-04T08:11:06","slug":"meet-jepp-brussels-rising-electro-pop-powerhouse","status":"publish","type":"post","link":"https:\/\/ket.brussels\/en\/2022\/06\/04\/meet-jepp-brussels-rising-electro-pop-powerhouse\/","title":{"rendered":"Meet Jepp, Brussels’ rising electro-pop powerhouse"},"content":{"rendered":"\n

Written by Louie Van Nieuwenborgh<\/h4>\n\n\n\n

Meet JEPP<\/a>, Brussels’ rising electro-pop powerhouse.<\/p>\n\n\n\n

Hi Jasper! During your teenage years, you were the lead singer of Bandits. Now, 10 years later, you\u2019re working on your solo project JEPP. What are the main differences between those two?<\/strong><\/p>\n\n\n\n

During the Bandits era, I was a young teenager. The four other band members and I got to know each other at guitar school, and soon we turned into a tight-knit group. It was an ideal project to develop ourselves musically – we had our own rehearsal room where we played and wrote pop-rock songs. I still remember our excitement to go on tour together across Flanders, that was wonderful. <\/p>\n\n\n\n

Now, 10 years later, I feel much more confident about my identity as a solo artist. I have learned a lot from the Bandits period, both artistically and personally. After studying music at KASK and an Erasmus exchange in Z\u00fcrich, I felt ready to come up with my solo project: JEPP. <\/p>\n\n\n\n

The freedom that comes with this is both exciting and frightening, as the \u2018final go\u2019 mostly depends on me. Fortunately, I surround myself with inspiring people and I know what I stand for as an artist. <\/p>\n\n\n\n

My music with JEPP has more electro-pop and soul influences, something that is quite different from Bandits. Also visual ideas, whether that\u2019s a single cover or music video, are closer to who I have become as a person.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

In 2021, you released a single called Black, which is about expressing your own identity. How important is it for you as a queer artist to include a deeper message into your music?<\/strong><\/p>\n\n\n\n

Very important! But as strange as it may sound, I don’t think about including a broad message when I’m writing a song. The lyrics always come from my heart, and – just like everyone else – I also go through personal struggles. <\/p>\n\n\n\n

The song \u2018Black\u2019 is about finding my own identity as a queer person, without holding up a fa\u00e7ade. I feel good in my own skin: I wear what I want, I have a healthy gay relationship and I am lucky enough to be busy with my musical career. If I hadn’t pushed myself to do my own thing, this song wouldn’t be here. <\/p>\n\n\n\n

It is also very rewarding when people say they recognise themselves in \u2018Black\u2019, and that can be interpreted in different ways – from coming out of the closet to finding your identity. <\/p>\n\n\n\n

I want to keep writing songs this way – always from the heart, but with a message that can be interpreted by anyone across the world.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

How would you explain your usual songwriting process to a total music newbie?<\/strong><\/p>\n\n\n\n

Usually it starts from an idea, and this can be basically anything. Whether it’s a piece of text, an audio snippet, a particular subject or chord progression – I never start writing without an idea in mind. <\/p>\n\n\n\n

Then, I pick up an instrument and write a melody and text at the same time. Afterwards, the sound comes in, and it’s up to me and the producer to make the song come to life. <\/p>\n\n\n\n

I try as often as possible to already give the demo a clear sound, so that the producer knows which direction I want to go with the song. <\/p>\n\n\n\n

Sometimes a song gets ‘ping-ponged’ so many times that the final version no longer resembles the original one at all – but this is what makes the creative process so interesting.<\/p>\n\n\n\n

As a queer artist, you\u2019re easily seen as a figurehead for the LGBTQ community. How do you deal with this as a young person, does it entail challenges for you?<\/strong><\/p>\n\n\n\n

Sometimes I wish I knew more about my sexuality when I was still part of Bandits, then I could have given music a deeper message already. Luckily, there are a lot more LGBTQ artists now than when I was a teenager, and I’m very happy about that. <\/p>\n\n\n\n

Personally, I consider it a great honour to be an LGBTQ figurehead, although I don’t make music for that reason. I find that society often pushes you in a direction that is not necessarily your own will. That is why I try to convey a message to do your own thing in life. I’m incredibly happy to have a platform to inspire people, and I want to use that as much as possible. <\/p>\n\n\n\n

I also think that LGBTQ topics often appear in the news in a bad way, such as gay bashing or our community\u2019s rights being taken away in certain countries. I want to see my sexual orientation as a blessing – being different should allow me to be free.<\/p>\n\n\n\n

On the other hand, queer artists still too often deal with discrimination when sharing their work with a broad audience. Artists such as Lil Nas X or Christine and the Queens pull it off successfully, was it hard for you to come out as a queer artist?<\/strong><\/p>\n\n\n\n

As a gay person, I only started to develop my identity properly when I turned 21. When I was part of Bandits, I often spoke like a politician in interviews, because I was much more insecure and didn’t want to show my true colours. <\/p>\n\n\n\n

This is a recurring pattern with many queer artists – it takes longer for them to develop their identity, because they don\u2019t fit in with the norm. Sam Smith, for example, only came out as non-binary after a few years of fame, and therefore became a lot more confident as an artist. <\/p>\n\n\n\n

As a public figure, you have to feel good about yourself in order to perform well on stage. I think that’s important with JEPP too – the puzzle pieces have to fit. That’s why I took it slowly to find a management team. The symbiosis is very important, I need people around me who fully understand JEPP.<\/p>\n\n\n\n

You released three singles during the pandemic: What about us, Treat me right, and Black. How did you tackle this?<\/strong><\/p>\n\n\n\n

When I wrote the songs, I was mainly in a creative flow and I didn’t think too much about the release. The pandemic also gave me a certain peace of mind – I had time to properly prepare the way I\u2019d put them out.<\/p>\n\n\n\n

Everything happened in a very hands-on way by me – from uploading on streaming services, writing press releases, and being in touch with different media. There was no budget available, but luckily I could rely on a lot of creative collaborations and a great response from my audience. And now, I\u2019m more eager than ever to perform my songs in front of a live audience!<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

Who are your favourite queer artists?<\/strong><\/p>\n\n\n\n

As a child and teenager, I was crazy about Prince and Michael Jackson. Their expressiveness, choreo and fashion looks are so inspiring! I am not a trained dancer, but I\u2019d like to add more performance elements to my shows. <\/p>\n\n\n\n

I want my shows to be a total experience – while writing songs, I already think about visual elements, and vice versa. <\/p>\n\n\n\n

I also edited the music video for \u2018Black\u2019 myself, so I\u2019d rather call myself a versatile artist than just a musician.<\/p>\n\n\n\n

How does living in Brussels contribute to your artistry?<\/strong><\/p>\n\n\n\n

Brussels is an incredibly diverse and inspiring city, I have a buzzing social life and I have a great relationship here. I grew up in Mechelen, studied and lived in Ghent, went to Zurich for a period and moved to Brussels afterwards. <\/p>\n\n\n\n

I have always loved the places where I lived, but I feel like each city has its proper period and time. Although I love to visit Mechelen or Ghent to see friends and family, I feel like Brussels is the place where I belong now. I also get so many creative impulses living here. <\/p>\n\n\n\n

If JEPP ever goes international, I\u2019d be honoured to promote our beloved metropolis of Brussels.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

What are your favourite queer hotspots in Brussels?<\/strong><\/p>\n\n\n\n

Brussels has so much to offer! I mostly go to places where I feel a good vibe. The city has also gotten a lot more queer hotspots during the past years. <\/p>\n\n\n\n

For after work drinks, I often go to La Fontainas, and later I\u2019d hop over to La Gendarme or The Agenda.<\/p>\n\n\n\n

For an evening full of entertainment, I\u2019d suggest Cabaret Mademoiselle or Chez Maman. And if you’re down for a good techno party you shouldn’t miss out on the party Gay haze, especially during summer in open air, Catclub or in C12 or Fuse. <\/p>\n\n\n\n

I also go a lot to Antwerp and there I love the new club, Capital.<\/p>\n\n\n\n

Now that we\u2019re heading towards a post-pandemic world, what are your future plans for JEPP?<\/strong><\/p>\n\n\n\n

I\u2019m currently working on new songs in the studio again. A lot of my friends are French and so is my boyfriend, so I don’t rule out writing and performing in French too. Seeing that my life is full of English, Dutch and French, I want to discover making the combination of languages in music too. <\/p>\n\n\n\n

Ultimately, I want to put out an EP, which I also find much more interesting from an art perspective. I\u2019d be able to put a red thread in it, both visually and musically. <\/p>\n\n\n\n

Soon, I\u2019ll be performing at Celebration of Life, and I also have a lot of summer gigs coming up. <\/p>\n\n\n\n

There are so many exciting plans ahead!<\/p>\n\n\n\n

Stay tuned on JEPP through Instagram<\/a> or Spotify<\/a>.<\/p>\n\n\n\n

\"\"<\/figure>\n","protected":false},"excerpt":{"rendered":"

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