{"id":47222,"date":"2024-02-04T21:12:31","date_gmt":"2024-02-04T20:12:31","guid":{"rendered":"https:\/\/ket.brussels\/?p=47222"},"modified":"2024-02-04T21:19:05","modified_gmt":"2024-02-04T20:19:05","slug":"bones-brushes-and-queer-aesthetics-iris-marchand-unveils-corporeal-narratives-at-edji-gallery","status":"publish","type":"post","link":"https:\/\/ket.brussels\/en\/2024\/02\/04\/bones-brushes-and-queer-aesthetics-iris-marchand-unveils-corporeal-narratives-at-edji-gallery\/","title":{"rendered":"Bones, Brushes, And Queer Aesthetics: Iris Marchand Unveils Corporeal Narratives At EDJI Gallery"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\"><strong><em>\u201cIcried when I washed my first bone\u201d<\/em>&nbsp;marks Iris Marchand\u2019s inaugural solo exhibition in Belgium, hosted at EDJI Gallery on Rue du Page 15, 1050 Brussels. Featuring her latest works in painting, drawing, and ceramics from the concluding months of 2023, Marchand introduces a fresh corporeal lexicon\u2014focused on skeletal structures, spines, remnants, and above all, bones.<\/strong><\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"819\" src=\"https:\/\/ket.brussels\/wp-content\/uploads\/2024\/02\/EDJI-GALERY_IRIS-MARCHAND-PORTRAITS_10-01-24_____\u00a9Jules-Toulet-11-1.jpg\" alt=\"\" class=\"wp-image-47225\" srcset=\"https:\/\/ket.brussels\/wp-content\/uploads\/2024\/02\/EDJI-GALERY_IRIS-MARCHAND-PORTRAITS_10-01-24_____\u00a9Jules-Toulet-11-1.jpg 1024w, https:\/\/ket.brussels\/wp-content\/uploads\/2024\/02\/EDJI-GALERY_IRIS-MARCHAND-PORTRAITS_10-01-24_____\u00a9Jules-Toulet-11-1-300x240.jpg 300w, https:\/\/ket.brussels\/wp-content\/uploads\/2024\/02\/EDJI-GALERY_IRIS-MARCHAND-PORTRAITS_10-01-24_____\u00a9Jules-Toulet-11-1-768x614.jpg 768w, https:\/\/ket.brussels\/wp-content\/uploads\/2024\/02\/EDJI-GALERY_IRIS-MARCHAND-PORTRAITS_10-01-24_____\u00a9Jules-Toulet-11-1-15x12.jpg 15w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">The title,\u00a0<em>\u201cI cried when I washed my first bone,\u201d<\/em>\u00a0serves as a poignant revelation, offering an emotionally charged glimpse into a distant memory of tears, bones, and cleansing. In an interview with GUS Magazine, Iris shared the inspiration behind the title, stating,\u00a0<em>\u201cIt\u2019s the story of a structured work, a developing spine that Edouard and Ranji (EDJI Gallery) give me the opportunity to showcase.\u201d<\/em><\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter\"><img decoding=\"async\" src=\"https:\/\/gusmen.com\/wp-content\/uploads\/2024\/02\/EDJI-GALERY_IRIS-MARCHAND-PORTRAITS_10-01-24_____%C2%A9Jules-Toulet-9-620x775.jpg\" alt=\"\" class=\"wp-image-48829\"\/><\/figure>\n<\/div>\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Iris\u2019s exhibition, characterized by humble materials like bed sheets, cardboard, and ceramics, crafts an intimate body of work that transcends both physical and emotional spaces.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">In the paintings throughout this exhibition, Iris works on three layers of figuration\u2014landscape, body, and bones,\u201d explains the article. These sculptural bones, carved from gesso, act as both support and shield, adding a profound dimension to the corporeal forms depicted. The figures emerge through bold, gestural lines, accentuating the nuances of contorting flesh, pliable hands, and embedded wrinkles.<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter\"><img decoding=\"async\" src=\"https:\/\/gusmen.com\/wp-content\/uploads\/2024\/02\/EDJI-GALERY_IRIS-MARCHAND_10-01-24_____Jules-Toulet-13-copy.jpg\" alt=\"\" class=\"wp-image-48833\"\/><\/figure>\n<\/div>\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Notably, antique bed sheets serve as the canvas for these paintings, imbuing the artworks with a rich chromatic spectrum and a unique corporeal history. Marchand, in the interview, reflected on this choice, describing the sheets as\u00a0<em>\u201c<strong>supports and receptacles for the body, its flesh, its sweat, and its substance<\/strong>.\u201d<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">The exhibition also showcases diptychs titled&nbsp;<em>\u201cAttitudes Anatomiques 1, 2, and 3,\u201d<\/em>&nbsp;offering a rhythm reminiscent of thoughtful contemplation. These arrangements feature bones and bodies against a matte dark gold cardboard backdrop, creating a coupled organization that evokes the cadence of thought.<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter\"><img decoding=\"async\" src=\"https:\/\/gusmen.com\/wp-content\/uploads\/2024\/02\/EDJI-GALERY_IRIS-MARCHAND_10-01-24_____Jules-Toulet-22.jpg\" alt=\"\" class=\"wp-image-48832\"\/><\/figure>\n<\/div>\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Gesso\u2019s sculptural quality takes on additional dimensions through ceramics\u2014mosaic portraits and bone-like relics displayed in various forms. The exhibition presents a cosmic choreography with ceramic spines intermittently stacked on metal chains, descending from the ceiling, and rising from the ground.<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter\"><img decoding=\"async\" src=\"https:\/\/gusmen.com\/wp-content\/uploads\/2024\/02\/EDJI-GALERY_IRIS-MARCHAND_10-01-24_____Jules-Toulet-16.jpg\" alt=\"\" class=\"wp-image-48834\"\/><\/figure>\n<\/div>\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">In her hands, featuring prominently in her art, Iris\u2019s commitment to challenging gender norms is evident in the non-gendered bodies depicted. In the interview, she explained,\u00a0<em>\u201c<strong>Hands were always a figure of study for me. They are a part of the body that can stand apart, that one can look down at and describe as if it were other<\/strong>.\u201d<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">As Iris discusses her artistic process and the challenges faced, a theme of constant self-redefinition emerges. The artist\u2019s quest for balance between the persona defined through art and the one perceived by the audience adds layers to her creative journey.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>Iris Marchand\u2019s \u201cI cried when I washed my first bone\u201d exhibition at EDJI Gallery transcends until 10\/02<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"https:\/\/www.edjigallery.com\/\">https:\/\/www.edjigallery.com\/<\/a><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n","protected":false},"excerpt":{"rendered":"<p>\u201cIcried when I washed my first bone\u201d&nbsp;marks Iris Marchand\u2019s inaugural solo exhibition in Belgium, hosted<\/p>\n","protected":false},"author":4,"featured_media":47227,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3,25],"tags":[36,827,826],"series":[],"class_list":["post-47222","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-artist","category-culture","tag-contemporary-art","tag-edgi-gallery","tag-iris-marchand"],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v20.3 (Yoast SEO v27.7) - https:\/\/yoast.com\/product\/yoast-seo-premium-wordpress\/ -->\n<title>Bones, Brushes, And Queer Aesthetics: Iris Marchand Unveils Corporeal Narratives At EDJI Gallery -<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" 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