{"id":52140,"date":"2026-04-13T14:45:43","date_gmt":"2026-04-13T13:45:43","guid":{"rendered":"https:\/\/ket.brussels\/?p=52140"},"modified":"2026-04-13T14:54:25","modified_gmt":"2026-04-13T13:54:25","slug":"aurore-fattier-turns-feydeaus-the-turkey-into-a-queer-cabaret-at-theatre-de-namur","status":"publish","type":"post","link":"https:\/\/ket.brussels\/en\/2026\/04\/13\/aurore-fattier-turns-feydeaus-the-turkey-into-a-queer-cabaret-at-theatre-de-namur\/","title":{"rendered":"Aurore Fattier turns Feydeau\u2019s\u00a0The Turkey\u00a0into a queer cabaret at Th\u00e9\u00e2tre de Namur"},"content":{"rendered":"\n

Aurore Fattier<\/a> takes Georges Feydeau\u2019s The Turkey<\/em> and transforms it into a bold, queer-friendly cabaret piece, on stage at Th\u00e9\u00e2tre de Namur from 15 to 18 April 2026. The production reimagines the classic vaudeville as a late-night, high-voltage world of drag, desire, gender play and social hypocrisy, offering a sharp contemporary twist on Feydeau\u2019s farce. Th\u00e9\u00e2tre de Namur programme<\/a><\/strong><\/p>\n\n\n\n

Fattier, one of Belgium\u2019s most distinctive theatre directors, has built a reputation for staging work that pushes form, identity and theatrical codes into new territory. After\u00a0Hedda<\/em>,\u00a0Othello<\/em>\u00a0and\u00a0Elizabeth II<\/em>, she now returns with a production that mixes theatre, live video and song in a deliberately hybrid aesthetic.\u00a0<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

A vaudeville for a post-MeToo era<\/h2>\n\n\n\n

At the centre of the story is Lucienne Vatelin, who believes her husband is cheating on her and launches a night of revenge that spirals into chaos. Feydeau\u2019s original farce is still recognisable here, with its misunderstandings, betrayals and social manoeuvring, but Fattier reframes it through a present-day lens that asks what still makes us laugh, and at whose expense.\u00a0<\/p>\n\n\n\n

That question feels especially relevant for queer audiences, for whom comedy, performance and the politics of desire often overlap. The show explicitly plays with the limits of laughter in a post-MeToo context, turning Feydeau\u2019s machinery of embarrassment into something more unsettling, more bodily and more openly subversive.\u00a0<\/p>\n\n\n\n

Cabaret, drag and excess<\/h2>\n\n\n\n

The cast includes Thomas Gonzalez, Vanessa Fonte, Maxence Tual, Vincent Lecuyer and Tristan Glasel, in a production shaped by Marc Lain\u00e9 and Stephan Zimmerli\u2019s set design, Prunelle Rulens\u2019 costumes and Vincent Pinckaers\u2019 video work. Together, they build a space that feels like a collision between theatre, club culture and performance art.\u00a0<\/p>\n\n\n\n

The result is a deliberately excess-filled atmosphere, with cabaret energy, queer codes and a trashy aesthetic that refuses polite realism. The production also includes nudity, underlining its willingness to lean into vulnerability, provocation and spectacle rather than smoothing over the edges of the original text.\u00a0<\/p>\n\n\n\n

Practical information<\/h2>\n\n\n\n

The Turkey<\/em> plays at Th\u00e9\u00e2tre de Namur, in the main hall, on Wednesday 15, Thursday 16 and Friday 17 April 2026 at 8pm, and on Saturday 18 April 2026 at 7pm. Tickets are available through the theatre\u2019s official ticketing page. Th\u00e9\u00e2tre de Namur programme<\/a>.<\/p>\n\n\n\n

KET Magazine is a community\u2011driven, non\u2011profit magazine run by volunteers based in Brussels. Get in touch to share your thoughts or tell us about your activities. You can also promote your events on our website or support our work with a donation. Contact us at Info@ket.brussels<\/a>.<\/em><\/strong><\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

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Aurore Fattier takes Georges Feydeau\u2019s The Turkey and transforms it into a bold, queer-friendly cabaret piece, 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