{"id":52657,"date":"2026-05-14T11:45:08","date_gmt":"2026-05-14T10:45:08","guid":{"rendered":"https:\/\/ket.brussels\/?p=52657"},"modified":"2026-05-14T11:45:10","modified_gmt":"2026-05-14T10:45:10","slug":"clemix-the-belgian-musical-ufo-turning-tenderness-into-a-livewire-show","status":"publish","type":"post","link":"https:\/\/ket.brussels\/en\/2026\/05\/14\/clemix-the-belgian-musical-ufo-turning-tenderness-into-a-livewire-show\/","title":{"rendered":"Clemix, the Belgian musical UFO turning tenderness into a livewire show"},"content":{"rendered":"\n

Clemix<\/strong> does not really fit into one box, and that is exactly the point. Singer, pianist, producer and former saxophonist, the Belgian artist moves between French chanson, funky electro and jazzy hip-hop<\/strong>, building a world where irony, vulnerability and groove coexist without ever cancelling each other out. With her first album Endorphine<\/em><\/strong>, released in September 2024 on the French label La Couveuse<\/strong>, she has stepped into a new phase: more visible, more affirmed, and still gloriously hard to pin down.<\/a><\/p>\n\n\n\n

What makes Clemix immediately compelling is the tension at the heart of her music. On the surface, there is lightness, humour and a sense of play; underneath, there are songs about love that slips away, death, time passing, chaos and the strange comedy of being alive. Ket readers will recognise the vibe: an artist who can make you laugh, wince and dance within the same track.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

<\/a><\/p>\n\n\n\n

A self-made artist with sharp edges<\/h2>\n\n\n\n

Clemix has been building this project for years, after a long stretch of artistic collaborations, DJ life and more than 250 concerts<\/strong> across different formations and instruments before fully stepping out solo in 2017<\/strong>. Since then, she has released several EPs and singles \u2014 including Discobar<\/em>, Non Merci<\/em>, De rien du tout<\/em> and Tout mais pas la salsa<\/em> \u2014 before arriving at the more complete statement of Endorphine<\/em>.<\/a><\/p>\n\n\n\n

A key part of her identity is that she remains the main architect of her own sound. The press kit describes her as the\u00a0sole producer and composer at the controls of the project<\/strong>, shaping her electronic arrangements while opening the door, on this album, to more organic textures like\u00a0brass<\/strong>\u00a0and\u00a0double bass<\/strong>. That mix says a lot about her: independent but porous, precise yet never cold.<\/p>\n\n\n\n

<\/a><\/p>\n\n\n\n

\n