{"id":51623,"date":"2026-03-06T13:52:44","date_gmt":"2026-03-06T12:52:44","guid":{"rendered":"https:\/\/ket.brussels\/?p=51623"},"modified":"2026-03-06T13:52:47","modified_gmt":"2026-03-06T12:52:47","slug":"decolonising-the-dancefloor-when-the-party-becomes-political","status":"publish","type":"post","link":"https:\/\/ket.brussels\/fr\/2026\/03\/06\/decolonising-the-dancefloor-when-the-party-becomes-political\/","title":{"rendered":"Decolonising the Dancefloor: When the Party Becomes Political"},"content":{"rendered":"<p class=\"wp-block-paragraph\">With \u201cD\u00e9coloniser le dancefloor\u201d, performer, activist and voguer Habibitch turns the club and the stage into a space of critical reflection. Blending theory, personal testimony and dance, this lecture\u2011performance reveals how power, privilege and resistance play out on the dancefloor \u2013 and invites us to imagine nightlife as a decolonial, feminist and queer space.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">In this performance\u2011talk, Habibitch starts from a simple observation: the dancefloor is never \u201cjust a party\u201d. Who gets in, who feels safe enough to take space, whose bodies and dances are celebrated or exoticised \u2013 all of this is shaped by histories of racism, colonialism, sexism, queerphobia and class. Drawing on club cultures, ballroom, waacking and feminist of colour theory, she shows how nightlife can both reproduce domination and offer tools to resist it.<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Habibitch &amp; Syqlone | \u00c0 l&#039;avant-post\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/nRILX6pI5sE?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">The piece questions the myth of the \u201cneutral\u201d or \u201cinclusive\u201d dancefloor. From door policies and \u201cface control\u201d to the way Black and Brown dance styles are appropriated, commodified and stripped of their political roots, \u201cD\u00e9coloniser le dancefloor\u201d connects the dots between everyday party practices and broader systems of oppression. At the same time, it highlights the role of queer and racialised communities in inventing spaces of joy, care and collective empowerment on and off the dancefloor.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">On stage, theory is never dry. Habibitch uses her body, her dance and her voice to embody the questions she raises: how does a racialised, queer, often hyper\u2011sexualised body move in spaces not built for it? How do we navigate desire, vulnerability and danger in clubs? How can choreography make visible the invisible boundaries that separate \u201cwelcome\u201d bodies from those perceived as \u201ctoo much\u201d, \u201cout of place\u201d or \u201cundesirable\u201d?<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">The performance also offers concrete tools for imagining other ways of partying. It invites audiences \u2013 club\u2011goers, organisers, DJs, venue managers and allies \u2013 to rethink codes of behaviour, music programming, spatial organisation, access and care. The goal is not to moralise nightlife, but to politicise joy: to see the dancefloor as a potential laboratory for decolonial, anti\u2011racist, queer and feminist futures, where pleasure, consent and safety are shared responsibilities.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">For queer, racialised and marginalised audiences, \u201cD\u00e9coloniser le dancefloor\u201d can feel like a moment of recognition: someone is finally naming what many have felt in their bodies for years. For others, it may be an uncomfortable but necessary first step towards understanding that \u201cfun\u201d is not equally accessible to everyone. In both cases, the work insists that there is no such thing as \u201cjust a night out\u201d when our bodies carry histories, territories and power relations onto the floor.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Useful links<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Context on decolonising public and cultural spaces in Brussels:\u00a0<a href=\"https:\/\/urban.brussels\/\" target=\"_blank\" rel=\"noreferrer noopener\">https:\/\/urban.brussels\/<\/a><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Event page on visit.brussels (practical info, date and tickets):\u00a0<a href=\"https:\/\/www.visit.brussels\/\" target=\"_blank\" rel=\"noreferrer noopener\">https:\/\/www.visit.brussels\/<\/a><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Les Halles de Schaerbeek (venue, full programme and accessibility info):\u00a0<a href=\"https:\/\/www.halles.be\/\" target=\"_blank\" rel=\"noreferrer noopener\">https:\/\/www.halles.be\/<\/a><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Habibitch \u2013 performances, workshops and talks (if available): search \u201cHabibitch decoloniser le dancefloor\u201d via your preferred browser<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><em>KET Magazine is a community\u2011driven, non\u2011profit magazine run by volunteers based in Brussels. Get in touch to share your thoughts or tell us about your activities. You can also promote your events on our website or support our work with a donation. Contact us at\u00a0<a href=\"mailto:Info@ket.brussels\" target=\"_blank\" rel=\"noreferrer noopener\">Info@ket.brussels<\/a>.<\/em><\/strong><\/p>","protected":false},"excerpt":{"rendered":"<p>With \u201cD\u00e9coloniser le dancefloor\u201d, performer, activist and voguer Habibitch turns the club and the stage<\/p>","protected":false},"author":20,"featured_media":51624,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3,25,44],"tags":[3469,129,81,824,702,3481,128,3472,78,3479,3478,3468,3470,3473,3475,72,3474,3480,73,64,3483,67,126,61,2894,3477,3476,3482,3471],"series":[],"class_list":["post-51623","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-artist","category-culture","category-dance","tag-anti-racist-nightlife","tag-brussel","tag-brussels","tag-brussels-cultural-events","tag-brussels-nightlife","tag-brussels-on-stage","tag-bruxelles","tag-club-culture-and-politics","tag-community","tag-dance-lecture-performance","tag-decolonial-feminism","tag-decolonial-performance","tag-decoloniser-le-dancefloor","tag-decolonising-the-dancefloor","tag-feminist-dance","tag-gay","tag-habibitch","tag-halles-de-schaerbeek","tag-lesbian","tag-lgbt","tag-lgbtq-parties-belgium","tag-lgbtqia","tag-party","tag-queer","tag-queer-brussels","tag-queer-of-colour-critique","tag-queer-party-politics","tag-safe-spaces-nightlife","tag-voguing-waacking"],"yoast_head":"<!-- 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