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Brussels-based queer artist Eric Adam returns to the city\u2019s art scene with his latest exhibition Jonction<\/em>, a visual exploration of Brussels Central Station and its symbolic significance. Known for his ability to capture solitude and anticipation in urban environments, Adam’s work invites viewers to reflect on the everyday scenes we often overlook, particularly those on the margins of society.<\/strong><\/p>\n\n\n\n Adam\u2019s journey into the world of art is as eclectic as his own identity. Born in Wallonia, he moved to Brussels at the age of 19, diving headfirst into the city\u2019s vibrant cultural and queer scene. Starting as a graphic designer, Adam was also the frontman for the rock band Someday My Prince Will Come<\/em>, where he channeled his creative vision through both music and visual art, shaped by his experiences as a gay man navigating the complex urban landscape.<\/p>\n\n\n\n \u201cDrawing has always been a part of me,\u201d says Adam. \u201cEven in school, I was obsessed with sketching. Over time, I moved from music to painting because it allowed me to express the themes of isolation and urban life that have always fascinated me.\u201d His work often conveys a sense of disconnection, an experience familiar to those who live on the fringes or between worlds, a subtle nod to his own personal journey.<\/p>\n\n\n\n In Jonction<\/em>, Adam explores these themes through the lens of the Jonction Nord-Midi<\/em>, a tunnel dividing Brussels both geographically and symbolically. The works feature monochromatic depictions of the station\u2019s platforms and tunnels, highlighting the contrast between the illuminated platforms and the dark tracks. \u201cIt\u2019s a space that feels both familiar and distant,\u201d Adam explains. \u201cPeople are often lost in their phones, disconnected from each other and the world around them.\u201d<\/p>\n\n\n\n His meticulous stencil technique reflects his graphic design background, offering precision in his depiction of the station\u2019s structural forms. For Adam, this technique feels almost meditative. \u201cIt\u2019s a process that takes me out of reality,\u201d he shares, much like how many LGBTQ+ people have to navigate the world through different lenses, alternating between invisibility and visibility.<\/p>\n\n\n\n Running at Studio 84, Jonction<\/em> captures the dualities of urban life\u2014speed and stillness, presence and absence, movement and isolation. The exhibition is open until October 11th. For more details, visit Studio 84, a hub for LGBTQ+ artists and voices in Brussels.<\/p>\n\n\n\n Art Gallery Studio 84 Art & Culture[s]<\/strong> <\/p>\n\n\n\n <\/p>\n","protected":false},"excerpt":{"rendered":" De Brusselse queer kunstenaar Eric Adam keert terug naar de kunstsc\u00e8ne van de stad met zijn nieuwste tentoonstelling<\/p>","protected":false},"author":4,"featured_media":48067,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3,25],"tags":[105,1292,81,78,33,1293,64,1294,937],"series":[],"class_list":["post-48057","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-artist","category-culture","tag-art","tag-atiste","tag-brussels","tag-community","tag-exhibition","tag-gallery","tag-lgbt","tag-pop-art","tag-queer-artist"],"yoast_head":"\n![\"\"](\"https:\/\/ket.brussels\/wp-content\/uploads\/2024\/09\/IMG_7557.jpeg\")
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Rue du March\u00e9 au Charbon Kolenmarkt 84, 1000 Bruxelles<\/p>\n\n\n\n