Brussels drag is changing — and it’s Black, brown, queer and unapologetic. Founded in January 2023, Les Peaux de Minuit is a BIPOC drag collective created in response to a painful reality: the overwhelming whiteness and heteronormativity of the city’s cabaret and theatre stages. In a scene where many LGBTQIA+ artists of colour still feel invisible or unwelcome, the collective claims space, light and visibility for those who have long been pushed to the margins.
A new face for Brussels drag
Les Peaux de Minuit was born from an alarming lack of BIPOC representation in Brussels’ artistic and nightlife ecosystems, where line-ups are still mostly white and cis-centered. This under-representation doesn’t just distort the image of drag; it actively discourages many queer and trans artists of colour from stepping onto existing stages. By coming together as a collective, these performers refuse tokenism and instead build a platform designed by and for BIPOC drag artists.
The collective brings together six founding artists with radically different universes and drag aesthetics: @thedaisylusion, @mama_tituba.drag, @meltyn.pothead, @lassyri, @tasty__desire and @_paula_roid. Through them, Les Peaux de Minuit becomes a living archive of intersecting identities – African and Afro-diasporic, Caribbean, mixed-race and more – where each performance rewrites who gets to be seen as glamorous, powerful and worthy of the spotlight.

Drag history, reclaimed
Drag has always been more than sequins and lip-syncs: it is political performance, a space where gender is bent, mocked and reinvented in public. From early drag balls and underground cabarets to the Stonewall era and today’s ballroom and club culture, drag has long offered queer people a way to survive, laugh and resist. Yet the history that is most visible in mainstream media is often whitewashed, sidelining the role of Black and brown queer and trans pioneers.
In Brussels, Les Peaux de Minuit extends this legacy by insisting that BIPOC drag belongs at the centre of the stage, not at its edges. Their shows blend classic drag elements – lip-sync, voguing, high camp and glamour – with political messages, personal stories and performance art, reminding audiences that drag can be both entertaining and deeply radical.
Breaking barriers in cultural spaces
Les Peaux de Minuit has a clear mission: tear down barriers, open doors and change mindsets in Brussels’ cultural institutions. They aim to build regular, sustainable stages — monthly or quarterly — where new BIPOC artists can perform, experiment and grow in safe, affirming conditions. By collaborating with venues, festivals and queer spaces, the collective challenges programmers to move beyond diversity slogans and commit to real structural change.
Their shows mix stage arts, political storytelling and drag performance to create nights that feel like both protest and celebration. The goal is not only to entertain but to redistribute visibility and opportunity, so that future generations of Brussels performers of colour don’t have to ask for permission to exist on stage.
Why this collective matters
In a city that loves to market itself as open and cosmopolitan, Les Peaux de Minuit asks a simple question: who is actually visible when the lights go up? Their answer is to build a collective, intersectional drag movement where BIPOC queer and trans bodies are not an exception but the starting point.
For anyone interested in queer nightlife, BIPOC visibility, drag culture and decolonial art in Brussels, Les Peaux de Minuit is a name you need to know — and a show you don’t want to miss.
KET Magazine is a community‑driven, non‑profit magazine run by volunteers based in Brussels. Get in touch to share your thoughts or tell us about your activities. You can also promote your events on our website or support our work with a donation. Contact us at Info@ket.brussels.
You may also like
-
Iskander Moon: Pop Songs as a Place to Feel at Home
There are artists who chase volume, and others who chase resonance. Iskander Moon clearly belongs to the
-
Brussels Pride: Loud Ladies Belgium: Making Room, Making Noise, Making Change
In a music scene that still too often rewards visibility unevenly, Loud Ladies Belgium stands out as
-
KET in Paris: “Spin My Cabaret”: Queer Chaos, Drag Glamour, and the Art of Letting Go
Some nights entertain you. Others stay with you. Spin My Cabaret belongs to the second category. On
-
Aurore Fattier turns Feydeau’s The Turkey into a queer cabaret at Théâtre de Namur
Aurore Fattier takes Georges Feydeau’s The Turkey and transforms it into a bold, queer-friendly cabaret piece, on
-
Protection for Everybody: a digital statement for safer, more inclusive spaces
Protection for Everybody presents itself as a clear, purpose-driven initiative focused on protection and safety for
