The funkiest of independent short film festivals returns with an event that has been burning our fingers, lips and genders for too long: the Queer Mais Trash!
Initially planned as part of Belgian Pride Week, the Queer Mais Trash screening will take place on 8 October at the Cinéma Aventure.
# 1, the best of queer from the last Courts Mais Trash festival:
AMOURS LIBRES (Emily Worms) BABYDYKE (Tone Ottilie) REVOLVO (Francy Fabritz) ERWIN (Jan Soldat) THE PAINT WIZARD (Jessie Auritt, Jessica Wolfson) WALLY WENDA (Diane Russo).
# 2 – but not least! -, a selection of new short films selected for your viewing pleasure:
JESSE JAMS (Trevor Anderson) PROGRESSIVE TOUCH (Michael Portnoy) QUEEN (Youssef Youssef) ROMY & LAURE… ET LE MYSTÈRE DU PLUG ENCHANTE (Romy Alizée, Laure Giappiconi).
Whether you have glittery nails, a punk beak, a cute or bitchy tongue, a political speech, an angry or just happy soul, a non-binary heart, a mutant sex, a fluid gender, there will be something for everyone – all tastes and all genders.
And it is YOU, of course, beloved viewers, who will vote to chose the best film of each screening. At stake: €500 to be shared. Kisses and hearts on you, Queer Mais Trash is waiting for you!
All information and programming: www.courtsmaistrash.net
You may also like
-
DAY-5 – Brussels Pride 2025 – “UNITE TO PROTECT” Interview with Xavier Wyns, coordinator
This year’s Brussels Pride theme is “Unite, Time to Protect Our Rights”. The theme emerged
-
DAY-4 – Celebrating Villainous Characters: Reclaiming Power at “The Succubi Fair”
In recent years, witches have become icons of empowerment, embraced by feminist movements as symbols
-
Listen Festival, Gay Haze & Spek: A 40-Hour Weekender at Buda BXL
Before returning for its main November edition, Listen Festival is teaming up with Gay Haze
-
Horst Festival is sold out. And it’s no surprise why!
Horst Festival kicks off this weekend—and once again, it’s completely sold out. No wonder: what
-
Cinema, Cosmos & Queer Joy: A Night with Alexis Langlois
On 15 May, Brussels turns technicolor as Les Sous-Entendu·e·s brings two bold, brilliant short films