Meet Paula Roïd: a Brussels-based drag queen born in Sri Lanka, raised in the Paris suburbs, and now a driving force in Belgium’s alternative queer scene. Blending humor, heritage, and hard truths, Paula isn’t just here to entertain — she’s here to shake things up.
“I was born in France to Sri Lankan parents who fled the civil war in the 1980s,” explains Lark, the artist behind Paula. “Growing up in the Paris suburbs, I had to constantly navigate between two cultures — which was both a richness and a struggle. My parents made countless sacrifices so we could integrate into a society that didn’t always want us.”

After moving to Brussels with their husband, Lark opened Lundi Di, a campy, offbeat shop in the Marolles district. “We were total outsiders in the local decor scene. But from day one, the queer community welcomed us with open arms. They saw what we were doing and understood that our weirdness was part of the charm.”
It’s within that welcoming atmosphere that Paula Roïd was born — a glamorous, kitsch, and political queen who channels joy and resistance in equal measure. “Watching alternative drag shows in Brussels made me want to be part of it. Paula started as an extension of who I am — bubbly and outgoing — but she’s also become a vessel for healing. She’s helped me reclaim parts of myself I had buried out of shame or anger.”
“As Lark, I struggled to embrace my roots. Through Paula, I reconnected with my Sri Lankan identity and now proudly showcase it to an audience that values and celebrates it.”
Today, Lark’s drag is inseparable from their activism. With five other artists, they co-founded Peaux de Minuit, a collective dedicated to amplifying racialized voices in the arts and challenging institutional norms. “This isn’t just about visibility — it’s about creating real structural change and empowering others to take up space.”
And Paula has fans — plenty of them. “I’ve only been performing for a year and a half, but the response has been incredible. I think I’ve won a few hearts along the way, lol.”
Her inspirations are as eclectic as her drag: “Grace Jones, La Grande Dame, Call Me Brenda, Blanket la Goulue, Mama Tituba, Beyoncé and her husband Tom, who pushes my creativity every single day.”
GoPaula is also deeply committed to supporting local queer initiatives like the Trans Solidarity Fund Belgium, The Playback Show, and Propaganda, a powerful show by Eastern European artists confronting queerphobia through visual storytelling.
“Being part of the Brussels queer community has helped me love myself fully. It’s also shown me that our struggles are collective — and that our presence, our shows, our stories, they matter. We exist. We shine. And if that makes people uncomfortable? Well, tough luck.”
Follow: @paula_roid
You may also like
-
Criminalising Pride: Hungary Wants to Jail the Man Who Refused to Disappear
In southern Hungary, a queer Roma teacher is facing prison for doing something that should
-
Can We Still Find Love Without Swiping? RTBF’s “La Vraie Vie” Challenges the Dating App Era
In a world where finding love often happens through endless swipes and ghosted chats, RTBF’s
-
Sam Quealy: The Hyper‑Femme Pop Cyborg You’ve Been Waiting For
Sam Quealy does not simply walk on stage – she lands there, like a glitching
-
Glitter, Balls and Solidarity: A Valentine’s Drag Bingo That Actually Saves Queer Lives
On Friday 13 February 2026, Brussels is serving camp with a cause: a Charity Drag
-
Monica: Queering Mothers, Memory and Lineage on a Brussels Stage
On 12–13 February, Brussels hosts a piece that feels made for queer eyes and hearts: Monica,
