Pascal Kaduli’s first show, Nuage magique, arrives like a soft landing for anyone who has ever felt lost somewhere between their twenties and their thirties. The premise is simple and quietly brilliant: imagine a magical cloud lifting you above your doubts, your mess, your detours and your existential admin.
The show plays on Monday 11 May 2026 at Le Petit Chapeau Rond Rouge in Etterbeek, from 20:30 to 22:00, with doors opening at 19:00. It is organised by Hémisphères-Droits ASBL, and the venue lists the performance as accessible to pedestrians with disabilities.
Between Africa and Europe
What makes Kaduli’s project interesting is not just the joke-writing, but the perspective behind it. His material moves through the friction of growing up between Africa, his place of birth, and Europe, his place of arrival, with all the cultural shocks, contradictions and social pressures that come with that journey. The show also takes aim at the idea of a double masculinity imposed from outside, and at the stereotypes that shape how Black men are expected to exist in public space.
That tension gives the project its shape. It is funny, but it is also about identity, migration and the strange work of trying to become yourself while everyone around you seems to already have a script ready.

A very Brussels kind of voice
Kaduli has been developing the show through Brussels comedy spaces, with dates in Saint-Gilles and other local stages, and he has already built a visible presence online through the Nuage magique project. His social profiles suggest an artist who understands the value of direct audience connection and who is steadily building momentum around his first proper solo show.
That matters in Brussels, where the comedy scene often works best when it feels specific, personal and rooted in lived experience. Kaduli’s approach fits that pattern: the material is playful, but it is grounded in the real emotional and cultural contradictions of contemporary life.

Why this show stands out
The promise of Nuage magique is not just laughs, but a way of turning uncertainty into rhythm. Kaduli describes the journey as chaotic, offbeat, moving and touching, but above all hilarious — which is usually a pretty good sign for a debut that wants to do more than just tick the “new comedian” box.
For Ket, this is exactly the kind of show worth watching: a fresh Brussels-based voice, a cross-continental perspective, and comedy that knows the fastest route to truth is often through self-mockery.
Useful links
Ticketing page via Visit Brussels
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